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Description
Original oil and gouache painting, signed and inscribed on the reverse.
An exceptional and culturally evocative original painting by Moroccan …
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Original oil and gouache painting, signed and inscribed on the reverse.
An exceptional and culturally evocative original painting by Moroccan modernist artist Mohamed Hamri (1932–2000), celebrated for his colorful figurative compositions depicting North African traditions, musicians, everyday life, and the cultural richness of Morocco.
Titled The Unique Moroccan Singer, this intimate composition depicts three figures gathered around a vibrant yellow circular table, surrounded by richly patterned textiles and architectural forms. Hamri employs an expressive palette of emerald green, crimson red, deep cobalt blue, golden yellow, and cream, creating a lively interplay of color, texture, and stylized figures.
The composition displays the distinctive qualities associated with Hamri's work: simplified human forms, bold colors, expressive brushwork, flattened perspective, decorative patterning, and an intuitive approach to storytelling. The painting's intimate subject matter and rhythmic arrangements capture the warmth and visual character of traditional Moroccan social life.
A Personal Dedication and Connection to Moroccan Music
Of particular historical interest is the handwritten inscription on the reverse:
"From Hamri to Zohra L'Fezzia, The Unique Moroccan Singer, '77."
This inscription suggests a personal dedication to the Moroccan singer Zohra L'Fezzia, providing an intriguing association between the painting and Morocco's musical heritage. The reverse also retains vintage exhibition and biographical materials relating to Hamri, including printed references to his artistic career and exhibitions.
About the Artist — Mohamed Hamri (1932–2000)
Mohamed Hamri was an influential Moroccan painter, writer, and cultural figure associated with the international artistic community of Tangier during the mid-20th century. Born in northern Morocco, Hamri developed a highly individual artistic language that combined the visual traditions of his homeland with elements of European modernism.
His career was closely connected with the legendary Tangier Beat Generation, particularly the American writer and composer Paul Bowles and British artist Brion Gysin. Gysin mentored Hamri and introduced him to European modernist painting, while their collaboration extended into the cultural and musical life of Tangier.
Hamri was also instrumental in introducing the traditional Master Musicians of Joujouka to international audiences. His involvement with the musicians helped establish connections with prominent cultural figures, including Brian Jones of the Rolling Stones.
Throughout his career, Hamri exhibited in Morocco, Europe, and the United States. His paintings are admired for their expressive treatment of Moroccan subjects and their fusion of modernist experimentation with North African cultural traditions.
Artistic Style and Modernist Influences
Hamri's painting occupies a distinctive position between Moroccan folk art, modernist figuration, Post-Impressionism, and Fauvism.
The expressive color and decorative qualities of this composition invite comparisons with the work of Henri Matisse, particularly his Moroccan-inspired paintings. Its animated figures and flattened spatial treatment also recall aspects of Raoul Dufy, Kees van Dongen, and Pablo Picasso's modernist vocabulary.
These comparisons are stylistic rather than indications of collaboration or direct attribution.
For collectors of Moroccan modernism, African modern art, Orientalist-inspired painting, mid-century figurative art, and North African cultural history, this painting represents an engaging example of Hamri's distinctive visual language.
Dimensions
Overall framed dimensions:
Width: 25.375 inches
Height: 19.375 inches
Depth / Projection from Wall: 0.50 inches
Visible artwork (sight):
Width: 17.50 inches
Height: 11.50 inches
Medium: Oil and gouache
Signature: Signed and inscribed by the artist on the reverse.
Date: 1977, according to the inscription.
Presentation: Presented in a vintage gold-tone frame with a wide cream mat. The reverse retains historical printed exhibition and artist-related materials.
A compelling addition to a collection of Moroccan modernist painting, 20th-century figurative art, African art, or works associated with the cultural history of Tangier.
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- Dimensions
- 25.37ʺW × 0.5ʺD × 19.37ʺH
- Frame Type
- Framed
- Art Subjects
- Figure
- Period
- 1970s
- Country of Origin
- Morocco
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Gouache
- Oil Paint
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Green
- Condition Notes
- Vintage condition, normal wear from age and handling. Vintage condition, normal wear from age and handling. less
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