Details
Description
Masao ido "dusk colors of the ancient capital" (古都暮色) kyoto 2009
limited edition sōsaku hanga woodblock print, 2/200, in its …
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Masao ido "dusk colors of the ancient capital" (古都暮色) kyoto 2009
limited edition sōsaku hanga woodblock print, 2/200, in its original japanese metal frame
a pagoda stands in black silhouette against a blazing kyoto sky. Layered bands of vermilion, rust and crimson build toward a pale yellow sun that sits low on the horizon, with a flock of birds crossing the clouds. The tiled roof of a temple hall and the bare branches of trees fill the foreground. The flat, graphic planes of colour and the confident silhouette give the traditional subject a strikingly modern, almost poster-like clarity, and the fine mica-like sparkle in the sky adds depth in raking light.
the print is pencil-signed "masao ido", numbered 2/200, dated '09, titled in pencil in japanese, and carries the artist's red seal. It is presented in a slim, dark original japanese metal frame with a generous white mat.
dimensions (framed)
h 43 × w 55 × d 2.5 cm
h 16.9 × w 21.7 × d 1 in
about the artist
masao ido (井堂雅夫, b. 1945) is a japanese printmaker associated with kyoto and best known for woodblock landscapes of the city's temples, pagodas and seasonal skies. He uses bold, simplified forms and saturated colour, and his sunsets and silhouettes are his signature. His work continues the japanese landscape print tradition in a contemporary graphic language.
about sōsaku hanga
sōsaku hanga ("creative prints") was a movement that emerged in early 20th-century japan. It was led by artists such as yamamoto kanae, onchi kōshirō, hiratsuka un'ichi and munakata shikō, who championed the print as an expression of the individual artist's vision. They rejected the division of labour of the ukiyo-e workshop, in which designer, carver and printer were separate specialists. The ideal was that the artist drew, carved and printed their own work, and the artist's signature, edition number and seal became the mark of authorship. The movement shaped modern japanese printmaking and was a counterpart to the commercial shin-hanga prints of the same era.
colors may slightly vary due to photographic lighting sources or your monitor settings.
the close ups have minor reflection in the acrylic glass.
wear consistent with age and use. This piece has an attribution mark,
i am sure that it is completely authentic and take full responsibility for any authenticity
issues arising from misattribution
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- Dimensions
- 21.65ʺW × 0.79ʺD × 16.93ʺH
- Period
- 2000 - 2009
- Country of Origin
- Japan
- Item Type
- Vintage, Antique or Pre-owned
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Condition Notes
- Patina Consistent with Age and Use Patina Consistent with Age and Use less
Returns & Cancellations
Return Policy - All sales are final 48 hours after delivery, unless otherwise specified in the description of the product.
Cancellation Policy - Prior to shipping or local pickup, buyers may cancel an order for up to 48 hours, unless otherwise specified.
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