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Description
Jacques Baseilhac (1873 - 1903)
La Soupe à la Chambrée (Soup in the Barracks)
Original Lithograph from the glorious portfolio …
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Jacques Baseilhac (1873 - 1903)
La Soupe à la Chambrée (Soup in the Barracks)
Original Lithograph from the glorious portfolio "L'Estampe Moderne", issue #17 (September 1898). On wove paper
Year: 1898 Size (sheet): 305 x 405 mm. Size (image): 245 x 327 mm. Signed bottom right
Blind stamp of the publisher, bottom right, out of the image. Excellent condition: minor signs of age and handling. Great colours
Full margins (not cropped, not trimmed)
From the text on the tissue paper, by Georges Courteline:
\. Alors le souper commença, l'assaut général au bricheton, la chasse aux quarts régulièrement disparus, à l'heure des repas, passés d'une chambre à l'autre sans que l'on sût comment, ou en ballade sous les lits.
De chaque côté de la table, on se massait comme on pouvait, une lignée de calots gris, de tricots bruns et de chemises écrues faisant face à une lignée de tricots bruns, de chemises écrues et de calots gris.
On se sentait les coudes et les hanches un peu bien: n'importe, il y avait place pour tout le monde; toujours quelque retardataire se présentait, enjambait le banc, et creusait, tant bien que mal, son trou entre deux corps, quitte à soulever autour de soi des protestations féroces:
Important:
Original print, very good / excellent condition.
The original tissue paper introduction has some folds and tears, especially along the margins, and it will be given as is to the buyer as a gift for confirming the authenticity.
The cover by Mucha is shown as a reference This piece has an attribution mark,
I am sure that it is completely authentic and take full responsibility for any authenticity
issues arising from misattribution
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- Dimensions
- 15.75ʺW × 11.81ʺH
- Art Subjects
- Figure
- Period
- 19th Century
- Country of Origin
- France
- Item Type
- Vintage, Antique or Pre-owned
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
Returns & Cancellations
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